the dog side
Solo performance
45 min, 2025
ICI CCN Montpellier
Created and Performed
Lilla Roma Weisselberg
Scenography
Lilla Roma Weisselberg
Original Music
Daniella Ljungsberg
Artistic Advisor
Ariel Sereni Brown, Myrto Katsiki, Isabela Fernandes Santana
Video and Pictures
Shira Marek
THANK YOU
Anne Kerzerho, Lisa Combettes, Nolwen Berger-Amari, Daniella Ljungsberg, Shira Marek, Bruno Capodagli, Antonin Clair, Tito, all the ICI - CCN team, Elena Bastogi, Marina Dubia, Mel Garcia Lueches, Razia Weisselberg and Alili.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
In the midst of a roaring crowd
the bark of a lonely dog
is no more then a single clap.
At night A singer sings.
A stage opens
over and over and over again.
THE DOG SIDE
Is a musical-performance piece inspired by cabaret and noise traditions, examining the unseen and unheard.
The work observes itself from the side; it is both; audience and performer, a two-faced coin. In its dual world,
there is no good or evil, no light or dark;
only the terrible and the less terrible, the unwillingly illuminated,and behind it, the blinded.
Using loop machines, songs, and movement,
I explore the tension between the coin’s sides:
two faces, two directions.
Like a coin toss, one outcome can change everything.
Relations of control and surrender,
joy and sorrow emerge,
not as absolute opposites but as forms of the same matter.
